Wednesday, 28 October 2020

Hallowe'en Ghost Story Schedule 2020, with Dale Jarvis

Mythic Beasts

Wednesday, October 28th

7:30 pm NF (3:00pm PDT, 6:00pm EST, 11:00pm GMT)

Free | Live on YouTube! 

Cozy up, turn off all the lights, and get ready to be immersed in a world of Mythic Beasts! Frothy creatures rise out of the depths off the shores of Ireland; others slink out of the graveyards of the Brothers Grimm. From the waters, fields, and forests of Newfoundland emerge scaly pond-dwellers, gallumphing giants, and forlorn spirits that will raise the hair on the back of your neck.

Our host for the evening is folklorist, author and local legend Dale Jarvis (who is no stranger to things that go bump in the night). Joining him are renowned NL authors and storytellers Charis Cotter and Gary Green. From far away west in British Columbia comes award-winning storyteller Melanie Ray, and from across the Atlantic comes acclaimed storyteller Maria Gillen.

“Canada from Ghost to Ghost” Virtual Haunted Campfire

Thursday, October 29th 

9:00 pm NF  (4:30pm PDT, 7:30pm EST, 11:30pm GMT)

$10.00 per Family


Dale Jarvis, St. John's Haunted Hike

John Adams, Ghostly Walks of Victoria

Glen Shackleton, Haunted Walks Inc. 

Grab a hot chocolate, cozy up with a warm blanket and get ready for some Hallowe’en chills at home. Our special guests make their homes at opposite ends of this creepy continent but are some of Canada’s finest storytellers. From ghost ships to haunted pubs, the true north strong and free is also the perfect place for a supernatural encounter. Join us around the “fire” as we share our favourite stories just before welcoming in the final weekend of our spooky season. 

NSO Hallowe’en Spooktacular

Friday, October 30th

7:00 pm NF (2:30 pm PDT, 5:30 pm EST, 9:30 pm GMT) 

$10 – $25

The Newfoundland Symphony Orchestra presents our second annual Hallowe'en Spooktacular. This year, join our NSO musicians together with resident teller of ghoulish tales Dale Jarvis. We will bring you on a journey through some fun and spooky (kid-friendly) tales with a Newfoundland and Labrador twist. Gather your ghosts and goblins round the living room, scrounge up some spooky snacks and settle in for a great night of family entertainment.


Thursday, 4 June 2020

Cover Art Reveal - On This Day: the new book from author Dale Jarvis

Here it is, the cover art for my latest book, published by Flanker Press, art by Graham Blair! Stay tuned, new news on virtual launches and print releases coming soon!

Pre orders here:

Thursday, 16 April 2020

Encounters with the Boo Darbies - tales from Ramea, English Harbour, Colinet, and Conception Harbour

“I can recall her saying to us, ‘If you go out tonight the Boo-Darby will carry you away.’ She said that he was a black man with horns. This proved to be very effective, because I always shuddered when she mentioned the Boo-Darby.”

A word you will not hear very often anymore in Newfoundland is “darby” -- meaning a type of potentially supernatural figure.

The word is not lost completely, however. There are at least three place names in Newfoundland that include the word “darby.” The first is Darby's Harbour, a former settlement located on Merasheen Island, Placentia Bay.  There is also another Darby Harbour in Placentia Bay, in Paradise Sound, which was abandoned before the official resettlement period of the 1960s and ‘70s.  A third is Darby's Island, still shown on some maps as “Old Ferrole Island,” which fronts the communities of Brig Bay and Plum Point, on the Great Northern Peninsula.

The name pops up in other contexts as well; the Newfoundland folk music quartet of Jean Hewson, Christina Smith, Rick West, and Dave Penny have performed together under the name “Boo Darby.”
But clearly defining what is meant by “darby” or “boo darby” is difficult, as the meaning varies from place to place, from person to person, and changes over time.

In certain contexts, darby can mean a type of ghostly apparition or spook. It can also be used to refer to a Hallow-e'en spectre, or a boogey-man type figure used to frighten or threaten children. One person from Ramea told folklorist John Widdowson how their mother used the name “Boo-Darby” to keep them in line:

“My five-year-old brother was taught and expected to obey at all times but like most kids he occasionally disobeyed, when mother would step in and say, ‘Now Tommy, you do like you’re told or under the steps you go where the Boo-Darby is ready for bad little boys.”

In one story from Colinet, St. Mary's Bay, Barbara Rieti’s informants told her a strange story about serving girl who was killed, flattened, by the darbies. She writes,

“So by and by she hears them coming, they come down the back of the meadow. She hears the fences busting and cracking, and she ran to sing out to tell them that they were corning. And they were gaining on her so fast that she see she couldn't do it and when she got to the door they were nearly on top of her and she sung out, ‘Darbies.’ And as quick as that, they said, you could hear the big ruption. They trampled her in the door, flattened her out, and she was black as tar. And the whole house, our uncle said, full up, great big long white feathers was full from the floor right up to the ceiling, he said. And a cold breeze going through the house , frightening everyone to death, and about two seconds everyone was gone.”

While it seemed clear to the storytellers that the darbies killed the girl, it was a bit confusing if those particular darbies were fairies, evil spirits, or humans in disguise.

The Dictionary of Newfoundland English includes several different meanings for the word darby, but most commonly it seems to have referred to disguised people who participate in disguised mummering activities during the twelve days of Christmas, though it could also mean a scoundrel, sly or cunning fellow.

Mr. Hubert Furey, of Harbour Main, is a great raconteur and a master recitationist, and a fabulous person to turn to when you are looking for bits of Newfoundland folklore.

“We never called them mummers, when I was young,” he told me. “We called them darbies.”

“We would make up our costumes, with cardboard masks with holes, and paint, crayon and whatever, sheets and pillows, wool for hair, whatever you could do to make yourself look ridiculous or funny or otherworldly. There wasn’t much style in the thing, it was very individual, whatever you could make up. You had the odd person who was very ingenious and creative, who had a good costume. But generally speaking it was whatever found itself on the body, so to speak, from whatever was lying around.”

Darbies in Harbour Main followed many of the customs followed by mummers and jannies in other parts of the province, except for the fact that darbies would start their rounds at about December 15th, but they would be done by Christmas Eve.

Joseph Dobbin, writing in 1984, shared his thoughts and memories about Christmas in St. Mary’s Bay at the start of the twentieth century.  He included a reference to the darbies, saying:

“You and your brothers and father now begin to make your rounds. You go from house to house, singing, dancing, dressing up as the darbies, frightening children and little old ladies with your masks and the hobby-horse, and you have a wonderful time chasing, finding and blackening your friends, particularly the ones who showed any sign of fear of the darbies.”

In Conception Harbour, the darbies would go out even earlier, around Colcannon time (All Souls’ Night) at the end of October. There, the darbies would burn corks in the stove and pull them out with tongs, then use the blackened cork to darken their faces.

So are darbies a type of frightening, black-skinned supernatural creature, who inspired people to mimic them during mummering season? Or did it work the other way around, with costumed figures giving mothers a story to use to frighten naughty children?

If you have had a run-in with darbies, boo-darbies, boo-baggers, or other frightening creatures, comment below.

Wednesday, 15 April 2020

That viral poem and photo? They aren't what you think they are. #askafolklorist #covid19

Chances are, if you've been spending more time on social media lately than usual, you may have seen the above photo with some variation of the following:

We will get through this together.....
A poem written in 1869, reprinted during 1919 Pandemic. Truly shows history repeating itself. This is Timeless....It was written in 1869 by Kathleen O’Meara:
‘And people stayed home
and read books and listened
and rested and exercised
and made art and played
and learned new ways of being
and stopped
and listened deeper
someone meditated
someone prayed
someone danced
someone met their shadow
and people began to think differently
and people healed
and in the absence of people who lived in ignorant ways,
dangerous, meaningless and heartless,
even the earth began to heal
and when the danger ended
and people found each other
grieved for the dead people
and they made new choices
and dreamed of new visions
and created new ways of life
and healed the earth completely
just as they were healed themselves’
Reprinted during Spanish flu Pandemic, 1919
Photo taken during Spanish flu

Awesome, right? It's a great poem, made even better by its astonishing history, and the accompanying photo shows people getting about their business, and even looking fashionable, during one of the worst pandemics of the 20th century. If they can do it, so can we!

It is fabulous, except that the historical aspect of it is fabricated. It is a great story, but, surprise, not everything you read on the internet is accurate.

First, the poem. Kathleen O’Meara was a real person and her life sounds pretty interesting. She was an Irish-French Catholic writer and biographer, and wrote about women's suffrage and social reform. She died of pneumonia at only age 49, in 1889. She wrote novels, biographies of leading Catholics, and journal articles. She did not write "And the people stayed home."

The poem was written circa March 2020, in response to the current coronavirus pandemic. It was written by an Irish-American teacher coincidentally-named Kitty O'Meara, from Madison, Wisconsin. Her poem went viral online, and she was profiled in an article in Oprah magazine by writer Elena Nicolaou on March 19, 2020.

"It offers a story of how it could be, what we could do with this time," O'Meara told of her viral work.

What about the photo taken during Spanish flu Pandemic? Surely that is the historically-true part of the viral phenomenon?

It is an old photo, but it predates the Spanish influenza pandemic of 1918-1919 (which was caused by an H1N1 virus with genes of avian origin).

The photo dates to 1913, and has been shared and shared again online through sites like Pintrest and via social media, and one of the earliest versions posted online was uploaded by the stock photo company Alamy. The photo comes from the archives of the former press empire of major Berlin publisher August Scherl. The Alamy online catalog includes this version of the photo:

After the Balkan War, a new fashion is emerging. Women wear nose veil that is commonly used in Turkey.

Helpfully, it also includes the following metadata (information about the image):

More information: This image could have imperfections as it’s either historical or reportage.Ladies' fashion from 1913. New veil fashions, based on Turkish nose veils., 01.01.1913-31.12.1913Photographer: Scherl/Süddeutsche Zeitung PhotoDate taken: 1913

 I'm not the first one to point this out, either. On April 6, 2020, actor Scott Baio tweeted out the photo.

It was retweeted hundreds of times, and generated a response three days later from the Fake History Hunter twitter account @fakehistoryhunt who wrote:
Incorrect.Photo was taken in 1913, probably in Germany, years before the Flu pandemic began.This original description states that it is a fashion fad inspired by the Balkan war, they're wearing veils based on Turkish nose veils.

I'm guessing that the Balkan war referenced here is the First Balkan War, 1912-1913, which was tied into a very complex history of conflicts before and after that I'll let some military historian far more knowledgeable than I unpack. And if you want more information on how the conflicts of that era impacted fashion (and set the stage for designers like future Nazi-collaborator Gabrielle “Coco” Chanel) you can read Anja Reinthaler's article "Clothing during World War I - How the war influenced the fashion industry."

Why does this matter? "Whatever," you might say, "I still like the poem." It matters, in part, because your perception of history is being modified by unknown persons for unknown reasons, and there are a lot of historical precedents that teach us why that sort of behaviour is problematic.

Another reason it matters is that we are living in the midst of a historical event, and the works that are created now will be the history (and folklore) of the future. Kitty O'Meara of Wisconsin deserves to be recognized and remembered for her contributions, just as much as Kathleen O’Meara deserves to be honoured for hers.  The innovators of 1913 deserve credit for their creativity, and the global impact and historical echoes of local conflicts deserves proper study.

For more on how folklore is evolving and ever-present in times like these, check out Smithsonian folklorist James Deutsch's recent article "How to Detect the Age-Old Traditions of Folklore in Today’s COVID-19 Misinformation."

As I wrote above, not everything you read on the internet is accurate (sorry, Scott Baio). If you have more information on either the poem or the photograph, email me and I'll add it!

And if you want an awesome photo of badass women wearing face masks in response to Spanish Influenza, here you go: the St. Louis Red Cross Motor Corps on duty during the Oct. 1918 Influenza epidemic, from Library of Congress.

Keep safe, wash your hands, and watch what you post online.  I'm off to research Turkish nose veils.

- Dale Jarvis, Clarke's Beach, Newfoundland, 15 April 2020.

Monday, 6 April 2020

Exciting news! Haunted Ground ebook is on sale this week for just $4.99!

Our friends over at Flanker Press have announced that for this week (April 6 - 12), all e-book versions of Haunted Ground are just $4.99!  

In this collection of ghostly tales, I will introduce you to old legends, including spectral Viking longships, encounters with ghostly ferrymen, and strange voices on the trapline, while exploring classic elements of local folklore such as tokens and premonitions, bad weather lights, and the Old Hag herself. In addition to historical tales, you will also come face to face with some of the province’s eeriest urban legends, from the mysterious Red Eyes of Glovertown, to the chilling west coast Webber, to the Phantom Drummer of Conception Bay North. With leaping witches, dancing devils, phantom locomotives, and even a ghostly kitten or two, there is no mistaking that you are exploring truly haunted ground. 

You can find your copy here: 



Barnes and Noble


Monday, 11 November 2019

Things That Go Bump In The Basement, Livingstone Street, St. John’s

Things That Go Bump In The Basement
Livingstone Street, St. John’s

By Dale Jarvis

Winter nights seem made for the sharing of spooky tales.  Wind swirling ‘round the gables of old houses and the tappings of skeletal branches against attic windows would certainly set the stage for many a ghost story.

In his book, Streets of St. John’s, author Jack White quotes newspaper columnist, J.M Byrnes. Byrnes reminisced of a particular poplar tree from his youth on Livingstone Street in the 1880s, “its stark branches now in the sleep of winter and ghostly with bandages of falling snow, sprawling over the gables of the adjoining houses and stirring restlessly with the ever increasing wind which tapped and swirled against the attic windows.”

Livingstone Street is more that just atmospheric, however. Indeed, it seems to have attracted a fair share of local legends.

It was not that long ago that there was a woman living on Livingstone Street with her young son. The boy, like many young children, was possessed of an imaginary friend.  In this particular case, it was an imaginary dog.  The boy would often go down into the basement to play with his invisible friend, and the mother thought nothing of it.

The basement was only roughly finished, and not the most comfortable of spaces. So the woman hired a contractor to come in, tear up the old broken concrete floor and pour a new one, in order to finish the basement and make it more liveable.  When the workman pulled up the floor, there, underneath the old concrete, he found the skeleton of a dog.

Or so the local legend goes, anyway. Like many ghost stories, it is one that I have come across through second-hand sources, so it difficult to judge its accuracy.  What is interesting, however, is that it is a story which does not seem out of place on Livingstone Street.  Haunted basements, in fact, seem to be a recurring theme in the neighbourhood.

Around 1972, a family with several children was living in a house on that street. By and by, several family members started to experience strange things.  One of the eldest boys saw a strange face looking in at him through a window.  The mother started to hear heavy footsteps coming up the stairs in the middle of the night.  But it was the two youngest children that witnessed the most terrifying event, down in the basement of the property.

“Caroline” was only a young girl at the time, about six years old. Over 30 years later, she still has a vivid memory of what she saw in that basement.

“Me and my brother were down in the basement playing,” remembers Caroline. “He wanted me to sit on top of an old oil barrel that was in our basement. I was afraid to sit on the barrel because I was afraid I would fall off.  I reluctantly agreed to go up there only after he went first.”

Caroline’s brother started to climb up the barrel when the girl looked across the room.

“There in the middle of the basement was the most terrifying sight of my entire life,” she says, thinking back on the events of that day. “There was this giant head and face staring at me.  It had black hair; the face was very ugly. The lips were the scariest part, and were snarled up and sneering at me.”

“It was horrifying,” she remembers.

The image was in the middle of the basement, with an evil smirk on its face, about three feet high. Both Caroline and her brother saw the apparition.

“I ran out of the basement screaming, my brother ran after me,” Caroline describes. “I ran upstairs and told my older brother, he went downstairs to check out what I had seen”

When the family went downstairs, the head had disappeared. The basement light, which had been on when the children had fled, was now turned off.

“I guess the darkness hates the light,” says Caroline

Originally printed in Haunted Waters, published by Flanker Press. 
Map: Insurance plan of the city of St. John's, Newfoundland

Saturday, 2 November 2019

The Ghost Dory of Cape St. Mary’s - Was it a Mirage or Phantom?

The Ghost Dory of Cape St. Mary’s

In 1999, John Lou Ennis of Placentia released a book about the changes that have taken place in Placentia Bay over the centuries. Ennis, the son of John Louis Ennis and Leah Best of Merasheen, included in his book one example of a ghostly encounter which he explained as being caused by a mirage.

Ennis’ father was a fisherman out of Merasheen, and would often fish off the coast of Cape St. Mary’s. One night while anchored near Cape St. Mary’s, the man saw what he believed to be an optical illusion.

“Looking out through the thick fog, he suddenly spotted a dory coming towards his boat, rowed by two men,” writes the witness’ son. “He had no idea who the men were although he could dimly see their faces.”

The first thought of the fisherman was that the men in the dory must have gotten separated from their schooner, or that they were in need of something. He called to another man on watch, who could also see the dory approaching them.

Together, Ennis Sr. and the man on watch ran to assist the small vessel. The two rushed forward to catch hold of the thrown rope as the dory came closer to them. As they did so, the dory vanished before their astonished eyes.

“Mirages are a fairly common sight at sea and I’m sure sailors still get a shock when one occurs,” writes Ennis.

While visually startling, the concept of a mirage has been well understood for many years. This natural phenomenon may explain some ghostly sightings from Newfoundland and Labrador. The 1915 edition of The New Practical Reference Library defines a mirage as “the appearance of an object in the sky, due to the reflection of rays of light by a layer of atmosphere of different density from that in which the object is situated.”

One type of mirage presents the appearance of ships and icebergs, sometimes inverted and suspended in the clouds. This particular type of mirage is frequently observed at sea in the northern latitudes. It occurs when the lower air is very much colder and therefore denser than the air immediately above it, causing distant objects to appear in the low sky.

This type of mirage is known as a “superior mirage” and is most common in the Arctic and Antarctic. One phenomenon commonly associated with superior mirages is a repeat sunset. In this, the sun appears to set, reappear, and then set again some time later. This was witnessed in 1915 on a Antarctic expedition led by Sir Ernest Shackleton.

Shackleton encountered many mirages, and in January of 1915 he wrote, “From the mast-head the mirage is continually giving us false alarms. Everything wears an aspect of unreality. Icebergs hang upside down in the sky; the land appears as layers of silvery or golden cloud.”

The ghost dory of Cape St. Mary’s may have been a mirage of an event occurring at some distance. Or could it have been a phantom boat doomed to row for all eternity? Optical illusion or true haunting? You will have to decide for yourself.

- by Dale Jarvis, originally printed in "Wonderful Strange" published by Flanker Press. Photo credit: Three men in dory, circa 1930s. George W. Bailey fonds, Item B 22-3, The Rooms. Inscription: To Geo. W Bailey from [Eben] A Ayers for The Associated Press

Thursday, 6 June 2019

Holographic fairies and giant teacups - Introducing NewfoundlandLand!

Experience a Holographic Fairy and a Giant Teacup.
Meet the Fairy Rescue Professors. Learn About the Giants of Placentia Bay.

NewfoundlandLand is a magical and interactive storytelling event that includes family-friendly attractions based on the legends, lore and popular culture of Newfoundland and Labrador. This touring attraction has officially launched in St. John’s and will be visiting communities across the province throughout the summer and fall.

This interactive exhibit combines today’s cutting-edge technology with traditional Newfoundland folklore, is designed for all ages and is composed of three unique pavilions:

  1. Dark Night of the Ugly Stick: Puppet/stop animation film and installation. 
  2. Fact or Fiction: The Talls: Fairy Rescue Professors will lead a storytelling session based on historical NL “tall tales”. Experience giant artifacts like a larger than life lunch box and teacup.
  3. NL Fairy Rescue: Guests will be invited into the Fairy Research Centre where they will learn about the history of fairies and meet a fairy! 

Theodore Thales Laxity, Founder of the Newfoundland Fairy Rescue and Research Laboratory says, “Newfoundland is a place of wonder and magic deeply rooted in the tradition of storytelling. Growing up in a small community, my parents and grandparents passed down stories of fairies and other marvellous tall tales. I wanted to create an interactive exhibit that is portable and can be easily toured to small communities across the province, as a way of engaging both young and old by sharing traditional stories in a contemporary way. Myself and the rest of the Professors will also give people an opportunity to have a hands-on experience with artifacts like a giant tea cup, as well as an enormous lunch box, and provide an up-close-and-personal visit with a real-life fairy!”

How does it work? Guests can decide which pavilions they would like to visit for a small fee. There’s also lots of fun activities to keep guests entertained in the general area including:

  • Performers entertaining guests as Fairy Rescue Professors
  • Children’s colouring and drawing centre 
  • Popcorn and fairy cloud (cotton candy) 
  • A mini-documentary starring local historian Dale Jarvis about fairies and its ongoing impact on Newfoundland culture 
  • Merchandise table with fairy colouring books and special giveaways for kids 


David Keating as Professor Theodore Thales Laxity | Paul David Power as Professor Rocky Earle | Chris Adams as Professor Conroy Bowman | Matthew Dawe as Professor Popcorn |
Richard Short as Professor Hot Dog

Booking NewfoundlandLand
NewfoundlandLand utilizes technological and entertainment approaches to engage our young population in our cultural heritage. From the rich tradition of fairy lore to showcasing how people in our outport communities used material on hand for entertainment - NewfoundlandLand is committed to complementing the educational curriculum when it comes to learning about and appreciating traditions. On a school and or community visit we provide all or any of our attractions to engage youth.

For more information about bookings please contact: |

Monday, 22 April 2019

Burial, Cemetery, and Death Ritual articles by Dale Jarvis

Someone asked for these today, so I've decided to put them all in one blog entry!

Jarvis. Dale Gilbert.

Jarvis, Dale Gilbert; Drover, Kelly.

Jarvis, Dale Gilbert; Barrett, Terra; Elliott, Heather; Li Xingpei.

Tuesday, 29 January 2019

List of Folk Horror and Supernatural Literature Titles in Newfoundland and Labrador

I've been having a chat tonight with the October Witch about Newfoundland supernatural, dark folklore, and folk horror literature, and I've gone down a bit of an eerie rabbit hole. I've started to compile a list of all the published fictional work that I can think of with distinctly Newfoundland and Labrador paranormal/supernatural themes and motifs.

This is a work in progress, so if you can think of anything not here, leave a comment or email  I'm specifically including fictional work, so no non-fiction collections of ghost stories (that rules out most of my own stuff!), and I'm excluding things like science fiction, speculative fiction, books written by NL writers but set elsewhere, or straight up horror. To get on this list, the piece should be: published; based in Newfoundland and Labrador; have characters/themes/motifs that are clearly linked to "traditional" local folklore in some way. I have made a short list at the bottom of this list of works that are set in the province but which deal with more contemporary paranormal themes (vampires, werewolves, etc). I'm not sure if all of the stage plays have been published, so let me know that too.

Stage plays

Barry, Frank. Wreckhouse.
Chafe, Robert. Butler’s Marsh.
Chafe, Robert. Isle of Demons.
Pinsent, Gordon. Corner Green.
Pittman, Al. West Moon.
Stapleton, Berni. The Double Axe Murders.
Sullivan, Joan. Wolf in the Fold.


Barbeau, Melissa.  The Luminous Sea.
Butler Hallett, Michelle.  Deluded Your Sailors.
Butler Hallett, Michelle. Double-blind.
Collins, Gerard. Finton Moon.
Cotter, Charis. The Ferryland Visitor.
Crummy, Michael. Galore.
Dawe, Tom. The Loon in the Dark Tide: Old Newfoundland Ghost Stories.
Dawe, Tom. An Old Man's Winter Night: Ghostly Tales.
Dawe, Tom. Spirited Away: Fairy stories of old Newfoundland.
Harvey, Kenneth.  Town that Forgot How to Breathe.
Hynes, Joel Thomas. Say Nothing Saw Wood.
Kavanagh, Ed. The Confessions of Nipper Mooney.
Pilgrim, Earl. Curse of the Red Cross Ring.
Pilgrim, Earl. The Ghost of Ellen Dower.
Rowe, Bill. The Monster of Twenty Mile Pond.
Steffler, John. The Afterlife of George Cartwright.
Story, Kate. Blasted.
Tilley, Sara. Skin Room.


Dalton, Mary. Merrybegot.
McGrath, Carmelita. Ghost Poems.
Rogers, Nico. The Fetch.

YA/Children’s Fiction 

Abbott, L. M. The Riddle.
Baird, Alison.  The Hidden World (The Tales of Annwn #1)
Baird, Alison.  The Wolves of Woden (The Tales of Annwn #2)
Cotter, Charis.  The Painting.
Cotter, Charis.  The Ghost Road.
Davis, Harold. The Starrigans of Little Brook Bottom.
Dinn, Philip; Jones, Andy.  Peg Bearskin.
Falcone, Lucy M. The Mysterious Mummer.
Jarvis, Dale.  The Golden Leg.
Jones, Andy. The Jack Series (Running the Goat Press).
Kennedy, Patti. The Fairies of Billy's Gully.
McNaughton, Janet. Brave Jack and the Unicorn.
McNaughton, Janet.  Catch Me Once Catch Me Twice
Obed, Ellen Bryan. Borrowed Black: A Labrador Fantasy.
Pierce, Nicola. Spirit of the Titanic.
Reed, Don C. The Kraken.
Story, Alice.  Beneath the Barrens: A novel
Wallace, Ian. Hansel and Gretel.

Newfoundland-based contemporary horror/paranormal fantasy

Dunne, Brad. After Dark Vapours.
Frost, Tanith. Immortal Soulless series.
Gosse, Douglas. The Celtic Cross.
Labonté, Amanda.  Call of the Sea series.
Meikle, William. The Green and the Black.
Meikle, William. Home From The Sea.
O’Keefe, Charles.  The Newfoundland Vampire series.
Osmond, Candace. The Dark Tides series.
Peddle, Geoff. The Atonement of Jack Fowler.
Ryan-Lush, Geraldine. Hannigan's hand: the ghost woman talks.
Sora, Kit. The Artobiography.
Sullivan, Shannon Patrick. The Dying Days.
Traverse, Tina. Destiny of a Vampire.
Traverse, Tina.  Scarlet Desire: Covet.

Anthologies/Short Stories/Songs

Chillers from the Rock (Engen Books)
Fantasy from the Rock (Engen Books)
Great Big Sea. “French Perfume” on Sea of No Cares
Nelson, Kou K. “Safe Upon the Shore” in Specter Spectacular: 13 Ghostly Tales. Edited by Eileen Wiedbrauk.
Power, Colleen. “Taken Away By The Fairies” on Lucky You Are
Zombies on the Rock (Engen Books)

Last updated 30 January 2019

(see also Engen Books for additional straight-up horror titles)

Got more for me? Let me know!

And because Bob Hallett suggested it, a song for you: