Monday, 11 April 2016

Shakespeare's Fairytales Performer Spotlight - Lynn Panting #Shakespeare400




Lynn Panting is a multidisciplinary performer, arts educator, and choreographer. Past performance credits include Boeing Boeing (Joint Productions), Jesus Christ Superstar, Evita, Chicago, Alice in Wonderland, Rocky Horror (TADA), Eli and the Death Curse (RCAT), Caesar, The Tempest, A Midsummer Nights Dream (Shakespeare by the Sea). In 2013, she was short-listed for ArtsNL's Arts Educator of the Year Award. Panting holds a Master of Arts in Philosophy from Memorial University as well as a Master of Humanities concentrating in performance, dance and the body. lynnpantingdance.com


Sweetline Theatre Company presents

Shakespeare's Fairytales: Owl Was a Baker's Daughter
April 28th-29th, 2016
Leaside Manor
39 Topsail Rd, St. John's, NL 

Cash Bar opens at 6:30pm; Show starts promptly at 7pm.

“Shakespeare’s Fairytales” shines a light on the origins of playwright William Shakespeare’s most beloved stories, including The Merchant of Venice, King Lear, The Winter’s Tale, As You Like It, and A Midsummer Night’s Dream.

Directed by Danielle Irvine with story coaching by Dale Jarvis, “Shakespeare’s Fairytales” stars Elizabeth Hicks, Lynn Panting, Lauren Shepherd, and Alanah Whiteway, spinning the tales that inspired theatre’s greatest stories.

It’s a show you will love, more than fresh meat loves salt.

Limited run, limited seating! Get your tickets now through Eventbrite.



Thursday, 7 April 2016

Shakespeare's Fairytales Director's Profile - Danielle Irvine




Danielle Irvine is a proud Newfoundlander who has had to travel a lot for her work. Highlights of her career include teaching at the National Theatre School of Canada for 6 years; two seasons at the Stratford Festival of Canada; and winning such national awards as the prestigious Canada Council John Hirsch Prize for Directing. Danielle was also a participant in the World Stage Festival 2000’s Master Class for Directors. She has directed theatrical productions of all sizes and types and in many theatres and found locations. She is the current artistic director of Perchance Theatre at Cupids and Sweetline Theatre. She has been a casting director for film and tv for the past 7 years, most recently with the Netflix Series, Frontier. She is loving the opportunity to work with the Shakespeare's Fairytales cast and crew, and to be pushing creative boundaries while working with Shakespeare’s words in new ways. (Exit, pursued by bear)


Sweetline Theatre Company presents

Shakespeare's Fairytales: Owl Was a Baker's Daughter
April 28th-29th, 2016
Leaside Manor
39 Topsail Rd, St. John's, NL 

Cash Bar opens at 6:30pm; Show starts promptly at 7pm.

“Shakespeare’s Fairytales” shines a light on the origins of playwright William Shakespeare’s most beloved stories, including The Merchant of Venice, King Lear, The Winter’s Tale, As You Like It, and A Midsummer Night’s Dream.

Directed by Danielle Irvine with story coaching by Dale Jarvis, “Shakespeare’s Fairytales” stars Elizabeth Hicks, Lynn Panting, Lauren Shepherd, and Alanah Whiteway, spinning the tales that inspired theatre’s greatest stories.

It’s a show you will love, more than fresh meat loves salt.

Limited run, limited seating! Get your tickets now through Eventbrite.


Monday, 4 April 2016

Shakespeare's Fairytales Performer Spotlight - Alanah Whiteway



Alanah is a Bachelor of Fine Arts graduate from Memorial University of Newfoundland's acting program at Sir Wilfred of Grenfell Collage. She has performed in In the Next Room, the Restoration comedy The Country Wife, and Anthony Minghella's Two Planks and a Passion. She was also Patsy in Molly on the shore, for which she was presented with Walter Chambers award for the role, and was nominated for best supporting actress at the 2015 Drama Festival. She was recently in Shakespeare by the Sea's two walking tours The Course of True Love, and Scenes from Britain. This Spring she performed in Joint Productions Boeing Boeing as well as DW Productions performance of Little Women. Alanah is very excited about this exciting new experience and has really enjoyed working with the cast and crew!

Sweetline Theatre Company presents

Shakespeare's Fairytales: Owl Was a Baker's Daughter
April 28th-29th, 2016
Leaside Manor
39 Topsail Rd, St. John's, NL

Cash Bar opens at 6:30pm; Show starts promptly at 7pm.


“Shakespeare’s Fairytales” shines a light on the origins of playwright William Shakespeare’s most beloved stories, including The Merchant of Venice, King Lear, The Winter’s Tale, As You Like It, and A Midsummer Night’s Dream.

Directed by Danielle Irvine with story coaching by Dale Jarvis, “Shakespeare’s Fairytales” stars Elizabeth Hicks, Lynn Panting, Lauren Shepherd, and Alanah Whiteway, spinning the tales that inspired theatre’s greatest stories.

It’s a show you will love, more than fresh meat loves salt.

Limited run, limited seating! Get your tickets now through Eventbrite.





Saturday, 2 April 2016

Shakespeare's Fairytales: Notes on our storytelling process



For several years, theatre director Danielle Irvine and I have been talking about about working on some kind of collaborative storytelling exploring the link between our two loves, theatre for her, and storytelling for me. As some of you will know, we’ve finally stopped talking about it, and are actually working on it, alongside a fabulous group of women, on our new project for Sweetline Theatre Company called “Shakespeare’s Fairytales: Owl Was a Baker’s Daughter.”

What some modern audiences may not know is that playwright William Shakespeare was influenced by the storytelling tradition, and that many of Shakespeare’s plays derive their plots directly or indirectly from folktales. “Shakespeare’s Fairytales” explores this, shining a light on these older stories.

In order to do this, Danielle and I have developed a way of working with the source material that we are very excited about. We auditioned for four performers, asking applicants to prepare both a Shakespearean monologue, and a version of one of Aesop’s fables, told in their own words. We wanted to find performers who were comfortable with classical theatre, but who could also spin a good yarn on their own, and who we might be able to train in as storytellers.

From that, we cast four great women -- Elizabeth Hicks, Lynn Panting, Lauren Shepherd, and Alanah Whiteway (along with stage manager Kelly Jones) -- and then we started working with four plays: The Winter’s Tale, As You Like It, The Merchant of Venice, and King Lear. Each performer was given different versions of the folktale or source material which had inspired or influenced their play. They started off working with that folktale material, storyboarding it, finding in the midst of the variants their own personal version of that story. They worked with me to start, exploring the world of storytelling.

Then, once they had embraced the story, and made it their own, Danielle stepped in, and re-introduced the language of Shakespeare, pulling quotes, phrases, and passages from Shakespeare’s texts that fit the contexts of the stories. The results, so far, are lovely and unique. I’ve been to a lot of storytelling festivals in North America and Europe, and I have listened over the past 25 years to a LOT of storytellers, but I have never seen a performance quite like the one we are crafting now.

The work that we are doing is made possible in part with World Storytelling Day grant through Storytellers of Canada-Conteurs du Canada. Each year, the theme of World Storytelling Day is identified by and agreed upon by storytellers from around the world, and for 2016, the theme is “Strong Women.” It is a perfect fit for our show, as this is a project about strong women and transformation, on many levels; this project is much about mentorship as it is about the performance itself.

I am very proud of the work that we are witnessing come from these four emerging Newfoundland storytellers. We are less than a month away from our opening night, and I would love you to come see this show. We are partnering with Leaside Manor on the production, and performing it in their premises, which will make this a very intimate and special performance. Performing it at Leaside Manor does mean that seating is limited, so if you want to join us for our two-night-only run, you should get your tickets quickly!

Shakespeare's Fairytales: Owl Was a Baker's Daughter
April 28th-29th, 2016
Leaside Manor
39 Topsail Rd, St. John's, NL 

Cash Bar opens at 6:30pm; Show starts promptly at 7pm.

Tickets available through Eventbrite.



If you want to see the show, and enjoy a special getaway, a special room rate with two tickets is available from Leaside Manor. $209 for Thursday night and $259.00 for Friday night, both include hot breakfast in the morning. Tickets can be purchased online when booking your reservation at www.leasidemanor.com or call 722-0387.

Thursday, 24 March 2016

The Local Lore of Dirty Weather Lights - A #FolkloreThursday post for a blustery day



A couple years ago, Mr Doug Wells, of Harbour Breton on Newfoundland's south coast, sent me a series of articles on local culture, thinking the ones concerned with strange phenomena might be of interest to me.

“I had my students to write on local cultural and historical events,” explains Wells. “With a folklore background, I also encouraged students to write articles on folklore related practices. The attached articles are folklore/folklife related and represent Harbour Breton and some nearby resettled communities. Over the years of teaching Cultural Heritage 1200, students wrote approximately 150 stories.”

One of Wells’s students was Ryan Lambert, of King Academy, who wrote on the local tradition of what he termed “dirty weather lights.”

According to the Dictionary of Newfoundland English, a weather light is a gleam or flicker of light at sea thought to presage a storm. The Dictionary gives a few examples of how the phrase is used.

P. Delaney of Tor’s Cove is quoted as saying, “when you can see [weather] lights on the salt water at night, it is a sign of a storm ahead,” while E. Cokes of Head Bay D’Espoir is quoted as reporting that “weather lights in the riggings of a schooner is the sign of a storm coming. The lights start at the bottom of the riggings and move gradually up to the top where they disappear.

Lambert documents two examples of this luminescent occurrence from the communities of Miller’s Passage and Harbour Breton.

“In Miller’s Passage the dirty weather light would float slowly in through the harbour, through the tickle,” says Lambert, “and as it reached Shoal Cove it would turn around, float out through the tickle, out the harbour and vanish. The next day, as usual, the residents would get wind and rain – a disappointing day for fishermen. People noticed that the dirty weather light would follow the same path almost all the time. It was a frightening experience at first, but people soon grew accustomed to it and expected bad weather to follow.”

A similar weather light was also seen in Harbour Breton.

“It would be seen mostly by people living on the north side,” writes Lambert. “The dirty weather light would float in over Deadman’s Cove Road and travel slowly as far as the present town garage. It would then stop, turn around and head towards Deadman’s Cove again and then vanish. And again, probably as in all dirty weather light sightings, the weather would soon turn bad.”

Lambert also references a man by the name of Mr Joshiah Bullen, of Harbour Breton, who could vividly remember seeing the dirty weather light, both as a boy and as a married man.

“Mr Bullen describes it as floating just above the ground as bright as a good sized flashlight,” says Lambert. “Some members of Mr. Bullen’s family would be scared of the light, especially his wife, Meta, after she moved to Harbour Breton from Little Bay West in the early 1940s.”

Mr Bullen noted that once houses were built in the area, the light was never seen again.

“He says that you could expect to see the dirty weather light when there was a bad weather look in the sky,” says Lambert, “and, most generally, the weather would not be fit for anything after the light was seen.”

Weather lights are a truly persistent bit of Newfoundland folklore. I would be very curious to know how many other people have memories of local stories about weather lights, or if they’ve ever seen one themselves. If you have, or know someone who might have a memory to share, you can email me at dale@dalejarvis.ca

Photo of Harbour Breton from the collection of Doug Wells.

Wednesday, 9 March 2016

Away: An Afternoon with the Faerie Folk at The Rooms, March 17th



In Newfoundland, the fairies are still here, and everyone from Adam and Eve to Aunt Sadie Currie has a tale to tell... Join storyteller Dale Jarvis for a special St. Patrick's Day exploration of the magical and at times eerie realms of the Good People, with stories of the fairy folk from Newfoundland, Ireland, Scotland and beyond.

The tradition of fairy stories in Newfoundland is most likely as old as European settlement on the island. The hidden people of Norway and Iceland, the gentry of Ireland, the little fellows of West Country England, the lutin of Normandy, and the bogles of Scotland all came together in Newfoundland to create a new fairy race, similar to their European ancestors, but very much their own people, with their own stories and their own way of interacting with us larger, clumsier folk.

Many of the older generation of Newfoundlanders, whose faith in the fairy folk was strong, were (and are) reluctant to talk about them, or even name them directly. This gave rise to a host of local names: the little people, the good people, the little fellers. But the choice to not speak, either out of respect or fear, has always been tempered by a love for stories of the fairy folk and the strength of Newfoundland’s oral tradition.

Put some bread in your pockets (just to be safe) and come join us!

St. Patrick's Day
Thursday, March 17th, 2016
The Rooms, St. John's
2:30pm
Event included with price of admission to The Rooms.
*image credit: Morgan MacDonald



Sunday, 14 February 2016

Save the Date - Shakespeare's Fairytales coming April 28th-29th

Sweetline Theatre Company presents

Shakespeare's Fairytales: Owl Was a Baker's Daughter

Tales of princesses turned outlaws, poisoned apples, Amazon warriors, gods and goddesses, monsters and mayhem: come with us on a journey into the fairytale beginnings of classical theatre.

“Shakespeare’s Fairytales” shines a light on the origins of playwright William Shakespeare’s most beloved stories, including The Merchant of Venice, King Lear, The Winter’s Tale, As You Like It, and A Midsummer Night’s Dream.

Directed by Danielle Irvine with story coaching by Dale Jarvis, “Shakespeare’s Fairytales” stars Elizabeth Hicks, Lynn Panting, Lauren Shepherd, and Alanah Whiteway, spinning the tales that inspired theatre’s greatest stories.

It’s a show you will love, more than fresh meat loves salt.

April 28th-29th, 2016
Leaside Manor
39 Topsail Rd, St. John's, NL A1E 2A6

Limited run, limited seating! Get your tickets now through Eventbrite.

Eventbrite - Shakespeare's Fairytales

A special room rate with two tickets is available from Leaside Manor. $209 for Thursday night and $259.00 for Friday night, both include hot breakfast in the morning. Tickets can be purchased online when booking your reservation at www.leasidemanor.com or call 722-0387.

Presented by Sweetline Theatre Company, with assistance from Storytellers of Canada/Conteurs du Canada, in recognition of the 2016 World Storytelling Day theme of "Strong Women."

Tuesday, 19 January 2016

Get Ready For World Storytelling Day 2016! #WorldStory16 #storytelling



We are a couple months away from World Storytelling Day 2016 (March 20), with the theme of "Strong Women." This is an invite for you to start adding your events to the WSD web calendar on the WSD website:

http://www.freewebs.com/worldstorytellingday/

Any website member can add an event. Put your COUNTRY (in capital letters) first in the title of the event, so that everyone can tell easily where the event is. Email me, Dale Jarvis, if you have difficulties, at dale@dalejarvis.ca

If you are promoting your events on social media, use the hashtag #WorldStory16.

Thanks all, and have fun!

Dale
Volunteer World Storytelling Day Webmaster

Monday, 18 January 2016

Owl Was a Baker's Daughter: Folk Tales That Inspired Shakespeare


In a continuation of the ancient practice of storytelling, playwright William Shakespeare adapted tales he had heard as a child for theatre audiences, and many of Shakespeare’s plays derive their plots directly from folktales. The Taming of the Shrew, Titus Andronicus, The Merry Wives of Windsor, The Merchant of Venice, All’s Well that Ends Well, Measure for Measure, Cymbeline, Romeo and Juliet, the play-within-a-play of A Midsummer Night's Dream: they all have folktales as a source. In this way, Shakespeare engaged his audience on common ground, retelling stories which were familiar to many, even the illiterate.

Today’s theatre audiences are perhaps more distant from the storytelling tradition, making Shakespeare’s use of allusion less immediately recognizable. When Ophelia (Hamlet Act 4 Scene 5) remarks, “They say the owl was a baker's daughter.  Lord, we know what we are, but know not what we may be,” Shakespeare’s audiences would have known the story: Christ in disguise entered a baker's shop, asking for some bread, and, when the baker put a large piece of dough into the oven to bake for Him, his daughter rebuked him, and for her unkindness was changed into an owl. For modern audiences, it is difficult to provide the context of that allusion within the staging of the play. This project is meant to provide the audience with some of that background information, and to shine a light on the folk origins of these beloved stories.

“Owl Was a Baker's Daughter: Folk Tales That Inspired Shakespeare” is a project inspired both in content and in execution by the 2016 World Storytelling Day Theme of “Strong Women.” In terms of content, the show will focus on the women at the heart of these plays -- Ophelia, Cymbeline, Cordelia, Lavinia, and Thisbe -- and allow them to tell their own stories. In terms of execution, the production will see storytelling lead Dale Jarvis work with Shakespeare theatre director Danielle Irvine to coach and guide four emerging young Newfoundland female storytellers for the final performance. It is a project about strong women and transformation, on many levels; it is about mentorship as much as it is about performance.

Project lead is storyteller Dale Jarvis. Dale tells ghost stories, legends and traditional tales from Newfoundland and beyond. Founder of the St. John's Storytelling Circle, and co-founder of the St. John’s Storytelling Festival, Dale is the volunteer webmaster for World Storytelling Day. Since 1997, Dale has been the host of the St. John's Haunted Hike, named "Event of the Year" by the City of St. John's. He has told stories in Canada, the US, Netherlands, Belgium, Scotland, Ireland, and England. Author of several books on Newfoundland folklore, Dale has also taught workshops across North America on historical storytelling. He has helped hundreds of people to tell their stories, and is committed to spreading his passion for storytelling and oral traditions.

Dale will be working on this project with Danielle Irvine, who will be providing dramaturgy and overseeing Shakespearean textual work with the storytellers.  A nationally-acclaimed director and teacher, Danielle Irvine is the artistic director of Perchance Theatre Company, a Newfoundland-based professional Shakespeare company.  She has a Bachelor of Arts degree from Memorial University of Newfoundland and is one of four professional directors who graduated from the National Theatre School of Canada's Directing Program (English) in 1996.  She has won the Canada Council for the Arts prestigious John Hirsch Prize for Directing and the Elinore and Lou Siminovitch Protégée Prize.  In addition to co-founding two other successful theatre companies (including the popular Shakespeare-by-the-Sea Festival)  she is also the current founding Artistic Director of Sweetline Theatre.  When not in theatre, Danielle is busy in film and television, most recently as the NL Casting Director for Republic of Doyle.

“Owl Was a Baker's Daughter: Folk Tales That Inspired Shakespeare” will open in April 2016.




Friday, 15 January 2016

Call for Auditions - Owl Was a Baker's Daughter: Folk Tales That Inspired Shakespeare

Call for Auditions
Owl Was a Baker's Daughter: Folk Tales That Inspired Shakespeare
Sweetline Theatre Company


Award-winning director Danielle Irvine and noted storyteller Dale Jarvis are joining forces to develop a new work combining theatre and storytelling traditions. The show is inspired both by the 2016 World Storytelling Day theme of “Strong Women” and the 400th anniversary of the death of Shakespeare.


In a continuation of the ancient practice of storytelling, playwright William Shakespeare adapted tales he had heard as a child for theatre audiences, and many of Shakespeare’s plays derive their plots directly from folktales.


“Owl Was a Baker's Daughter: Folk Tales That Inspired Shakespeare” will mentor four emerging female performers through a creative process merging classical theatre and traditional storytelling.


We are look for four female performers, aged approximately 18-35 with a background in either theatre or storytelling.


Auditions will be held Sunday, January 24th. Location will be sent with confirmation of audition time.


Performers are asked to prepare one Aesop’s Fable (www.aesopfables.com) told in their own words, and one Shakespeare monologue.


This is a profit-share production, opening in April.


To book an audition time, please contact stage manager Kelly L. Jones at kellly@sweetlinetheatre.ca