Thursday, 24 March 2016

The Local Lore of Dirty Weather Lights - A #FolkloreThursday post for a blustery day



A couple years ago, Mr Doug Wells, of Harbour Breton on Newfoundland's south coast, sent me a series of articles on local culture, thinking the ones concerned with strange phenomena might be of interest to me.

“I had my students to write on local cultural and historical events,” explains Wells. “With a folklore background, I also encouraged students to write articles on folklore related practices. The attached articles are folklore/folklife related and represent Harbour Breton and some nearby resettled communities. Over the years of teaching Cultural Heritage 1200, students wrote approximately 150 stories.”

One of Wells’s students was Ryan Lambert, of King Academy, who wrote on the local tradition of what he termed “dirty weather lights.”

According to the Dictionary of Newfoundland English, a weather light is a gleam or flicker of light at sea thought to presage a storm. The Dictionary gives a few examples of how the phrase is used.

P. Delaney of Tor’s Cove is quoted as saying, “when you can see [weather] lights on the salt water at night, it is a sign of a storm ahead,” while E. Cokes of Head Bay D’Espoir is quoted as reporting that “weather lights in the riggings of a schooner is the sign of a storm coming. The lights start at the bottom of the riggings and move gradually up to the top where they disappear.

Lambert documents two examples of this luminescent occurrence from the communities of Miller’s Passage and Harbour Breton.

“In Miller’s Passage the dirty weather light would float slowly in through the harbour, through the tickle,” says Lambert, “and as it reached Shoal Cove it would turn around, float out through the tickle, out the harbour and vanish. The next day, as usual, the residents would get wind and rain – a disappointing day for fishermen. People noticed that the dirty weather light would follow the same path almost all the time. It was a frightening experience at first, but people soon grew accustomed to it and expected bad weather to follow.”

A similar weather light was also seen in Harbour Breton.

“It would be seen mostly by people living on the north side,” writes Lambert. “The dirty weather light would float in over Deadman’s Cove Road and travel slowly as far as the present town garage. It would then stop, turn around and head towards Deadman’s Cove again and then vanish. And again, probably as in all dirty weather light sightings, the weather would soon turn bad.”

Lambert also references a man by the name of Mr Joshiah Bullen, of Harbour Breton, who could vividly remember seeing the dirty weather light, both as a boy and as a married man.

“Mr Bullen describes it as floating just above the ground as bright as a good sized flashlight,” says Lambert. “Some members of Mr. Bullen’s family would be scared of the light, especially his wife, Meta, after she moved to Harbour Breton from Little Bay West in the early 1940s.”

Mr Bullen noted that once houses were built in the area, the light was never seen again.

“He says that you could expect to see the dirty weather light when there was a bad weather look in the sky,” says Lambert, “and, most generally, the weather would not be fit for anything after the light was seen.”

Weather lights are a truly persistent bit of Newfoundland folklore. I would be very curious to know how many other people have memories of local stories about weather lights, or if they’ve ever seen one themselves. If you have, or know someone who might have a memory to share, you can email me at dale@dalejarvis.ca

Photo of Harbour Breton from the collection of Doug Wells.

Wednesday, 9 March 2016

Away: An Afternoon with the Faerie Folk at The Rooms, March 17th



In Newfoundland, the fairies are still here, and everyone from Adam and Eve to Aunt Sadie Currie has a tale to tell... Join storyteller Dale Jarvis for a special St. Patrick's Day exploration of the magical and at times eerie realms of the Good People, with stories of the fairy folk from Newfoundland, Ireland, Scotland and beyond.

The tradition of fairy stories in Newfoundland is most likely as old as European settlement on the island. The hidden people of Norway and Iceland, the gentry of Ireland, the little fellows of West Country England, the lutin of Normandy, and the bogles of Scotland all came together in Newfoundland to create a new fairy race, similar to their European ancestors, but very much their own people, with their own stories and their own way of interacting with us larger, clumsier folk.

Many of the older generation of Newfoundlanders, whose faith in the fairy folk was strong, were (and are) reluctant to talk about them, or even name them directly. This gave rise to a host of local names: the little people, the good people, the little fellers. But the choice to not speak, either out of respect or fear, has always been tempered by a love for stories of the fairy folk and the strength of Newfoundland’s oral tradition.

Put some bread in your pockets (just to be safe) and come join us!

St. Patrick's Day
Thursday, March 17th, 2016
The Rooms, St. John's
2:30pm
Event included with price of admission to The Rooms.
*image credit: Morgan MacDonald



Sunday, 14 February 2016

Save the Date - Shakespeare's Fairytales coming April 28th-29th

Sweetline Theatre Company presents

Shakespeare's Fairytales: Owl Was a Baker's Daughter

Tales of princesses turned outlaws, poisoned apples, Amazon warriors, gods and goddesses, monsters and mayhem: come with us on a journey into the fairytale beginnings of classical theatre.

“Shakespeare’s Fairytales” shines a light on the origins of playwright William Shakespeare’s most beloved stories, including The Merchant of Venice, King Lear, The Winter’s Tale, As You Like It, and A Midsummer Night’s Dream.

Directed by Danielle Irvine with story coaching by Dale Jarvis, “Shakespeare’s Fairytales” stars Elizabeth Hicks, Lynn Panting, Lauren Shepherd, and Alanah Whiteway, spinning the tales that inspired theatre’s greatest stories.

It’s a show you will love, more than fresh meat loves salt.

April 28th-29th, 2016
Leaside Manor
39 Topsail Rd, St. John's, NL A1E 2A6

Limited run, limited seating! Get your tickets now through Eventbrite.

Eventbrite - Shakespeare's Fairytales

A special room rate with two tickets is available from Leaside Manor. $209 for Thursday night and $259.00 for Friday night, both include hot breakfast in the morning. Tickets can be purchased online when booking your reservation at www.leasidemanor.com or call 722-0387.

Presented by Sweetline Theatre Company, with assistance from Storytellers of Canada/Conteurs du Canada, in recognition of the 2016 World Storytelling Day theme of "Strong Women."

Tuesday, 19 January 2016

Get Ready For World Storytelling Day 2016! #WorldStory16 #storytelling



We are a couple months away from World Storytelling Day 2016 (March 20), with the theme of "Strong Women." This is an invite for you to start adding your events to the WSD web calendar on the WSD website:

http://www.freewebs.com/worldstorytellingday/

Any website member can add an event. Put your COUNTRY (in capital letters) first in the title of the event, so that everyone can tell easily where the event is. Email me, Dale Jarvis, if you have difficulties, at dale@dalejarvis.ca

If you are promoting your events on social media, use the hashtag #WorldStory16.

Thanks all, and have fun!

Dale
Volunteer World Storytelling Day Webmaster

Monday, 18 January 2016

Owl Was a Baker's Daughter: Folk Tales That Inspired Shakespeare


In a continuation of the ancient practice of storytelling, playwright William Shakespeare adapted tales he had heard as a child for theatre audiences, and many of Shakespeare’s plays derive their plots directly from folktales. The Taming of the Shrew, Titus Andronicus, The Merry Wives of Windsor, The Merchant of Venice, All’s Well that Ends Well, Measure for Measure, Cymbeline, Romeo and Juliet, the play-within-a-play of A Midsummer Night's Dream: they all have folktales as a source. In this way, Shakespeare engaged his audience on common ground, retelling stories which were familiar to many, even the illiterate.

Today’s theatre audiences are perhaps more distant from the storytelling tradition, making Shakespeare’s use of allusion less immediately recognizable. When Ophelia (Hamlet Act 4 Scene 5) remarks, “They say the owl was a baker's daughter.  Lord, we know what we are, but know not what we may be,” Shakespeare’s audiences would have known the story: Christ in disguise entered a baker's shop, asking for some bread, and, when the baker put a large piece of dough into the oven to bake for Him, his daughter rebuked him, and for her unkindness was changed into an owl. For modern audiences, it is difficult to provide the context of that allusion within the staging of the play. This project is meant to provide the audience with some of that background information, and to shine a light on the folk origins of these beloved stories.

“Owl Was a Baker's Daughter: Folk Tales That Inspired Shakespeare” is a project inspired both in content and in execution by the 2016 World Storytelling Day Theme of “Strong Women.” In terms of content, the show will focus on the women at the heart of these plays -- Ophelia, Cymbeline, Cordelia, Lavinia, and Thisbe -- and allow them to tell their own stories. In terms of execution, the production will see storytelling lead Dale Jarvis work with Shakespeare theatre director Danielle Irvine to coach and guide four emerging young Newfoundland female storytellers for the final performance. It is a project about strong women and transformation, on many levels; it is about mentorship as much as it is about performance.

Project lead is storyteller Dale Jarvis. Dale tells ghost stories, legends and traditional tales from Newfoundland and beyond. Founder of the St. John's Storytelling Circle, and co-founder of the St. John’s Storytelling Festival, Dale is the volunteer webmaster for World Storytelling Day. Since 1997, Dale has been the host of the St. John's Haunted Hike, named "Event of the Year" by the City of St. John's. He has told stories in Canada, the US, Netherlands, Belgium, Scotland, Ireland, and England. Author of several books on Newfoundland folklore, Dale has also taught workshops across North America on historical storytelling. He has helped hundreds of people to tell their stories, and is committed to spreading his passion for storytelling and oral traditions.

Dale will be working on this project with Danielle Irvine, who will be providing dramaturgy and overseeing Shakespearean textual work with the storytellers.  A nationally-acclaimed director and teacher, Danielle Irvine is the artistic director of Perchance Theatre Company, a Newfoundland-based professional Shakespeare company.  She has a Bachelor of Arts degree from Memorial University of Newfoundland and is one of four professional directors who graduated from the National Theatre School of Canada's Directing Program (English) in 1996.  She has won the Canada Council for the Arts prestigious John Hirsch Prize for Directing and the Elinore and Lou Siminovitch Protégée Prize.  In addition to co-founding two other successful theatre companies (including the popular Shakespeare-by-the-Sea Festival)  she is also the current founding Artistic Director of Sweetline Theatre.  When not in theatre, Danielle is busy in film and television, most recently as the NL Casting Director for Republic of Doyle.

“Owl Was a Baker's Daughter: Folk Tales That Inspired Shakespeare” will open in April 2016.




Friday, 15 January 2016

Call for Auditions - Owl Was a Baker's Daughter: Folk Tales That Inspired Shakespeare

Call for Auditions
Owl Was a Baker's Daughter: Folk Tales That Inspired Shakespeare
Sweetline Theatre Company


Award-winning director Danielle Irvine and noted storyteller Dale Jarvis are joining forces to develop a new work combining theatre and storytelling traditions. The show is inspired both by the 2016 World Storytelling Day theme of “Strong Women” and the 400th anniversary of the death of Shakespeare.


In a continuation of the ancient practice of storytelling, playwright William Shakespeare adapted tales he had heard as a child for theatre audiences, and many of Shakespeare’s plays derive their plots directly from folktales.


“Owl Was a Baker's Daughter: Folk Tales That Inspired Shakespeare” will mentor four emerging female performers through a creative process merging classical theatre and traditional storytelling.


We are look for four female performers, aged approximately 18-35 with a background in either theatre or storytelling.


Auditions will be held Sunday, January 24th. Location will be sent with confirmation of audition time.


Performers are asked to prepare one Aesop’s Fable (www.aesopfables.com) told in their own words, and one Shakespeare monologue.


This is a profit-share production, opening in April.


To book an audition time, please contact stage manager Kelly L. Jones at kellly@sweetlinetheatre.ca



Thursday, 27 August 2015

Ghost story writing program for youth! Sept 25, St. John's

Calling all aspiring young writers! Hone your writing skills for this year's St John's Public Libraries Ghost Story Writing Contest with our friend, author Charis Cotter.

Charis has toured Canada from coast to coast, entertaining and educating children with her lively, engaging book presentations. Her latest novel, The Swallow: A Ghost Story, won the IODE Violet Downey Book Award and was named an Honour Book of 2015 by the Canadian Library Association.

Program suitable for children and youth ages 9-17.
Friday September 25 @ 3:30pm

For more information about this event, call (709) 737-3020

Thursday, 9 July 2015

Ghosts of Signal Hill returns with new actors Brad Stone & Chris Bishop

Daring escapes, murdered pirates, ghost ships, buried treasure, tragic drownings, and headless phantoms: it is all in a night’s work at Signal Hill National Historic Site!

Ghosts of Signal Hill is back in full swing, running every Friday and Saturday night at 8pm for all of July and August. Tickets are limited for each show, and available in advance (cash sale only) from the Signal Hill Visitor Centre.

The show returns this year with two new actors taking on the role of the dashing Lieutenant Ranslaer Schuyler: Brad Stone and Chris Bishop.  Brad takes to the stage for the first time this summer on Friday; Chris takes over for Saturday night's show. Show creator Dale Jarvis will also fill the role select nights in August.



Despite being a busy realtor and a father of two, or perhaps because of it, Brad Stone has spent over twenty years on, off, and near the stage. Recently he has performed in the Twilight Zone episodes Escape Clause as Walter Bedeker and To Serve Man as Michael Chambers. He has also played Elwood P. Dowd in Harvey, The King of France in King Lear, Lennox in Macbeth, Mortimer Brewster in Arsenic and Old Lace, Tranio in Taming of the Shrew, Oedipus in In Your Dreams Freud, and more. Despite the fact that this is certainly not his first show on the hill, he still hasn’t gotten used to the cold.


Chris Bishop is a native of St. John’s and is graced with a wonderful and supportive fiancée, Sabrina Roberts, of whom he is eternally grateful. Chris would also like to extend a thank you to Ghost Conservationist, Dale Jarvis. Chris recently performed in the St. John’s Players’ production of VIMY which traveled to the NL Drama Festival in Gander, where Chris took home the award for Best Actor. When not on stage Chris enjoys working to help families as a Child Management Specialist.


Wednesday, 1 July 2015

Haunted Hike news for the week of Canada Day



Happy Canada Day from all of us here at the St. John's Haunted Hike!

And yes, we will be running our regular "Ghosties and Ghoulies" Tour tonight, Wednesday, July 1st, and Thursday, July 2nd.

Also, starting this week, is our "Ghosts of Signal Hill" program. We open this Friday and Saturday, at 8pm.  Tickets are limited, and are available in advance from the Signal Hill Visitor Centre on Signal Hill Road. Tickets are $15, cash sale only. Then we are back downtown on Sunday with our "Sinners and Spirits" Tour!

Full details on all our programs available at www.hauntedhike.com

Tuesday, 28 April 2015

What I've learned in cultural tourism: Seven storytelling tips.



I’ve been running the St. John’s Haunted Hike ghost tour and working as a professional storyteller since 1997, and along the way, I have trained many other storytellers, guides, museum workers and interpreters, volunteers, and docents about telling stories in museums, historic sites, and parks. I was recently asked for a list of things I have learning in a cultural tourism context.

So, in no particular order, here are seven of my tips for anyone in the cultural tourism sector. We are all storytellers, in one way or another!

1. People want to hear good stories, well told. Take the time to find and invest in good, engaging storytellers. These might be local experts or tradition bearers who know more than anyone about their particular topic. Or they might be professional storytellers, cultural interpreters, or actors. Find and use the best!

2. Tourists want to feel like they are in on something local, or something secret. I have had many people say “I would never have gone down that alleyway by myself.” Even locals have told me, “I’ve lived here all my life, and I never knew that place existed.” People love to explore and discover things and places that are new to them. Be their guide into a new realm!

3.  Tell real stories about real people. Don’t fake a story, or make up a lie about a place, when there are so many real historical stories, or honest expressions of local folklore, begging to be told. These can be stories from archival accounts, from newspaper clippings, or from interviews conducted with living residents. Local tall tales and legends are great, too, if they are part of a living oral tradition. Stories need to be true, even when they aren’t!

4.  Tell a story you love, and your audience will love it too. We have all been stuck on that tour (you know the one) with a guide who has memorized information they care nothing about, and who are almost as bored as you are in the telling of it. Find the story that speaks to you, one that you are passionate about, and share your love!

5.  Don’t be afraid of difficult stories. They need to be told, and people want to hear them. When people come to Newfoundland, as an example, they want to know about the collapse of the cod fishery from people who have lived it, they want to know about the seal hunt. Sometimes painful stories need and deserve to be told, just as much as the fun stories.

6.  Stories are a living thing. Stories need to be told in order to be stories! Dances need to be danced, songs need to be sung. Stories can not just live in a book, or on a signboard or museum panel. They are meant to be told in person, in the words of an old Scottish proverb, “eye to eye, mind to mind, heart to heart.” Storytelling is a participatory art, and people love to feel like they are involved in the telling.

7.  Be mindful of whose stories you are telling, and whose stories are not being told. Certain stories are sacred, and you should be careful about expropriating someone else’s voice. At the same time, all voices and experiences need to be heard. Pay attention to which stories are silent, and find ways to help share them.

Got a question? Or want a workshop? Email me at dale@dalejarvis.ca.